среда, 27 июня 2012 г.

Brutalized (Turkey)

Brutalized - Through The Black Light (1994) - Turkish Old School Death Metal

Void (Azerbaijan)

Void - Her Dead Body In My Arms, Her Cold Lips I'm Kissin' (2008) - Depressive Black Metal, Dark Ambient from Baku, Azerbaijan

Sapanakith (Laos)

Sapanakith - Promo (2011) - Brutal Death Metal

Vothana - Chinh Sach Vu Luc Tan Bao (Vietnam)

Vothana - Chinh Sach Vu Luc Tan Bao: Demo III (2005) - raw black metal from Vietnam

שנאת חינם - Sinat Hinam

Super metalic Crrruusstt from Israel Sinat Hinam - שנאת חינם (‪‎2007)

猪龍[Zhulong] (Kazakhstan)

猪龍[Zhulong] - live demo (2012) - Dark Hardcore, Neocrust from Kazakhstan

пятница, 15 июня 2012 г.

Mind Of Asian - A Small Elephant In A Large Forest (Japan)

Riot GRRRRRLLLLL download

MiSanDao - Chinese Bootboys (China)

download

VA - Underground Asia Compilation CD (2010)

Long-awaited compilation put together by Francis of the Philippines’ veteran punk band Istukas Over Disneyland, who’s also the mainman of Love From Hate Records, helped along its way by Pinoy’s own super-DIY-punk-promoter Emmanuel and his label Delusion of Terror Records. When I first heard of this project last year, my thought was that it would be a purely Southeast Asian collection, but boy, this CD features 25 bands from a quarter of the globe, like a slice of punk rock cake starting with Russia and ending with Indonesia. In-between those polars we have bands from West Asia (Turkey, Azerbaijan, Lebanon, Israel, Saudi Arabia, Bahrain & UAE), East Asia (Japan, Hong Kong, China, Taiwan, South Korea), South Asia (Nepal) and the Southeast. There’s also a band from Egypt but from what I know Egypt is already a North African country. Anyway, looking at the map here, I believe there should have been representatives from India, Pakistan and Indo-China too as I have heard of punk-influenced bands there. Maybe Francis tried but cannot get interested parties? Not sure, but this is already pretty huge in terms of the areas covered, a truly Greater Asia compilation would probably need another two CDs to fit. Are there punk bands in Bangladesh? Maldives? Sri Lanka? East Timor? Laos? Bhutan? Mongolia? Kryzygstan? Uzbekistan? Iraq? etc, etc. Who knows eh? What do you think Luk? As per usual with this type of large-scale trans-border compilations, the music can be wildly erratic in terms of its stylistic content. Apart from the usual punk-derived sub-genres there’s also a few metallic moments, especially with the South Middle Eastern countries – Through Sunken Eyes (Bahrain) kick it hard in the general direction of thrashy, bulky metallic hardcore while Creative Waste (Saudi Arabia) rant and growl in a modern-grind blasting fashion. My personal favourites though would be bands who offer a bit of difference from the usual, and that would be our friends RAI KO RIS (Nepal) who have grown increasingly raw, raging post-punk for the past few years; THE SCUDS (Singapore) is also very good, bringing back that X-Ray Spex pogoing goodness to this spheres; while longtime faves LOW FAT (Thailand), who brought in their expat-Japanese sensibilities to crazed Siamese hardcore-punk-grind wedding. On the surprises department, there are a few bands from the Middle East who really made this very pleasant to listen to – Egypt’s FAKING IT is rather good with their modern-rock variation, that is until the break where the guitarist came in like some windswept, MTV-rock guitar hero and ruined it; DETOX is way better with their raw, raging and thunderous hardcore-punk; while UAE’s PUBLIC WASTE and Israel’s MONDO GECKO lay it down old-school American style. Really looking forward to check out more of the bands from this region. All in, it’s a good release for those who want to check out snippets of noises from these countries, and I found a few bands which I’m gonna keep a look out for. For those who are looking for something more substantial in terms of wild musical progression, you would have to keep trawling myspace for that! I mean there’s no indigenous musical instruments being mangled hardcore-punk-style here, not yet anyway. download

Crime Time - Конец?Начало! (Uzbekistan)

download

Skunks (South Africa)

Skunks - 2010 - Skunk It Up [EP] Great band from Pretoria here. Mix of ska, punk and reggae. Something really fresh and unique. Have been waiting for lyrics from them since september and they still keep promising em))) download

воскресенье, 6 мая 2012 г.

Anvar Jahnnat - Assalom Alaykum - 2012 (Uzbekistan)

затраханное солнце зеленой мечты краснознаменных детишек...эксперименты со стилем уродливых литераторов и смешных плюшевых медвежат...помехи, шум и ярость...бьют больно оставляя резаные раны на руках и черные пятна на висках... двоемыслия и двузначность не причем - трехмерность, объемность и абсолютность наиболее ощущается при свете ночного фонаря...причем при постоянной беспощадно-натасканной шумности сводится на нет возможность закрыть себя от себя...отпечатанные руки, выблеванным смыслом малолетнего пацаненка...нацарапанные на глазах символы веры мертвого поколения...неопределенности мать твою...лезиргиновая реальность растекается под палящим солнцем ночных кошмаров... голоса мертвых поэтов звучащие в голове после полуночных бдений...урбанистический пейзаж свалок озвученный мультипликационными героями через презерватив...расшатанная по самое не хочу психика прописанная с помощью дешевого китайского диктофона и смикшированная одноруким бандитом в маске монстра из парижа... добро пожаловать в мифический мир больных фантазий download

воскресенье, 29 апреля 2012 г.

Bardo Thödol - Feeble Voice (Japan)

Bardo Thödol "Feeble Voice" 7"EP (TRANS-27, 1988) Bardo Thödol were an interesting new wave trio from Japan. They appeared on the legendary Japanese noise/new wave label Trans Records, run by the industrious and tragically deceased Kitamura Masashi of YBO2 fame (as well as publisher of Japanese rock mag Fool's Mate). Bardo Thödol released a 7" EP and a 12" EP during the late 80s, and they also made several appearances on Trans compilations. Their sound is somewhat minimalist, and there are even slight hints of Medusa-era Clan Of Xymox flavor in the A-side of the Feeble Voice EP. A moody synth classic. Vocalist Yuki would later move on to her own solo project in the early 90s called False Love, though I haven't heard any of that music yet. download

SADIE SADS "Angora" (Japan)

SADIE SADS "Angora" 7" (1984) Following one of my all-time favorite Japanese singles is ...another one of my all-time favorite Japanese singles; namely Sadie Sads debut release "Angora"! This truly essential weirdo-classic was released in 1984 on the Wechselbalg label, a subdivision of Telegraph Records run by Genet of Auto-Mod fame which put out a great number of great releases by legendary post-punk and goth(y) bands such as G-Schmitt, Nubile and Sarasvati. I must confess that it did take a while (at least for me) to fully digest "Angora", causing infinite amounts of headscratching upon first encountering it on the "Revenge of Wechselbalg" compilation. Indeed, just the short intro is of such a monumental strangeness that hearing it is like encountering some kind of extraterrestial entity - confusing, intriguing, scary perhaps or possibly disgusting and/or delightful. Or all of the above! But at the heart of the tune is the hypnotic main riff. Propelled by a thunderous start/stop bass-line and a slightly muddled guitar dissonantly scratching away; "Angora" jerkily pummels its way forward, bizarrely enough managing to create a most peculiar Twilight Zone-groove of its very own. But the most singular thing about this song (and about this band) is of course the vocals of frontman Sad. Sounding like a bag-lady out of hell, Sad's voice waivers between ridiculously over-the-top theatralics and banshee-like screes - never has the fine line between genious and retardation been so beautifully blurred. Another highlight to take note of is the fabulous guitar solo courtesy of guitarist Igarashi - actually more of an anti-guitar solo, pushed far back in the mix and without any discernible notes being played. Just amazing! Contrasting against the focused riffage of "Angora" is the hodge-podge of B-side "i d". Essentially two not-really-finished songs combined into one, the tune intercuts between a metal-bashing percussive section (sounding like a free-form take on Zeitlich Vergelter) and a repetitive post-punk dirge tinged with gothic overtones. Although "i d" definitely has its moments, I can't shake the feeling that it was somewhat hastily thrown together to fill out the flipside of the record. Sadie Sads followed up this single with their equally brilliant record ARTefact "Box With Little Doll" in 1985. Not only one of the most intriguing and innovative records of its time (Japanese or otherwise) but also one of the most lavishly (and outlandishly) packaged ones. After a valiant but, in my opinion, failed attempt at remixing "Angora" into a tribal semi-dub for their "Angora.D" twelve-inch, the band disintegrated into Sads - more or less a solo vehicle for vocalist Sad to pursue a more dance-oriented sound (a path also wandered by labelmates Nubile and Sodom ...not to mention some of Genet's various post-Auto-Mod outfits). For those interested in learning more about Sadie Sads I can wholeheartedly recommend a visit to Junk Church - an official fanpage for the band. Although sadly no longer updated, it's jam-packed with information, pictures and history of the band. download